“It is the hope we have for what lies ahead of our daily worries and anxieties. As a teenager growing up in Neerpelt, Simons found solace in music, especially Kraftwerk’s 1978 album. The German band commonly known as electronic music’s innovators and forefathers.
The show’s track repeated the word “radioactivity,” a tune that came from Kraftwerk. Camelia-shaped strass brooches adorned some knitwear pieces.
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“The re-scaling of garments suggests different form language and new purposes, as does their rematerialisation,” said the press release.Ī series of exquisitely constructed crisp white shirts had been clipped by some Frankenstein-esque accessories: a miniature reproduction of a skeleton hand in silver, balck and acid green clenched tightly onto the forearm. Models strode down the angsty former coal mine and power plant in Belgium, in maxi quilted A-line jackets layered with see-through knits, paired with relaxed flares ranging from deep purple to aquamarine. Raf Simons returned to the virtual stage only one month after announcing his third partnership with Miuccia Prada to debut his men’s and women’s Fall 2021 collections. “A equilibrium, contrast between disparate elements, surprising similarities and comparisons, a passion for and loyalty to particular themes, concepts, and inspirations,” according to the show’s notes.
It is a collection that stems from escapism, whether that be through finding solace yet again in the absence of color, or using clouds of smoke as an ethereal gateway to a brave new world.Ī sequence of words flowed throughout the collection in a multimedia presentation shot inside the Barenzaal and C-mine, Genk, giving us very Sci-Fi drama-chic – ataraxia, equanimity, dichotomy, synchronicity, allegiance, and devotion. The Japanese legendary designer’s use of black struck a chord in 80s Paris – something that was perceived as a rather radical contrast to the pinks and greens of Claude Montana and Mugler. A few jersey dresses draped over wireframes in the front and spherical protrusions – A Kawakubo trademark-in the back for an irreverent take on Victorian silhouettes.
Kawakubo’s concept of monochrome serenity was translated by wrapped, distorted fabrics that envelop the body, sometimes styled with a massive blazer, cloaks or leggings printed with polka dots. Each of the twenty dresses were complemented by trainers that were born through a new collaboration with the brand – heeled Nike sneakers and Salomon trail runners. The models walked down the runway to the beat of minimal music by artist White Stains, wearing balloon-like ball gowns made in exclusively black and white tulle, styled with top hats created by stylist and Dazed editor-in-chief Ibrahim Kamara, his first debut in millinery. This excess that the designer refers to in her fleeting statement posted on Comme’s instagram was filtered through a rigorous monochromatic palette, the overarching theme executed in her Landscape of Shadows presentation, unveiled amid Kawakubo’s small circle.
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It is through her evocative words, that Rei Kawakubo shed light on the need to break free from a world that is overburdened with too much information. I needed to take one breath in the monochrome serenity,” read the show’s notes. Amidst the incessant overflowing of miscellaneous things, the deluge of colour, the flooding of sound and the inundation of information.
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